Urban Pigeon, 2012

Urban Pigeon, 2012

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Four Symbolic Portraits in Frozen States of Alienation, 2011

Four Symbolic Portraits in Frozen States of Alienation, 2011

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Five Urban Portraits in Bogotá, 2011

Five Urban Portraits in Bogotá, 2011

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Portrait Face of a Colombian Campesino, 2011

Portrait Face of a Colombian Campesino, 2011

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Two Full-Faced Symbolic Portraits with Two Profile Portraits, 2009

Two Full-Faced Symbolic Portraits with Two Profile Portraits, 2009

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Symbolic Portraits in Bogotá, 2009

The Symbolic Portraits in Bogotá, 2009

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Two Symbolic Portraits in Bogotá, 2009

Two Symbolic Portraits in Bogotá, 2009

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

A Frenchman in Bogotá Smoking his Cigarette, 2008

A Frenchman in Bogotá Smoking his Cigarette, 2008

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Older Artist Repaints his Young Model, 2008

The Older Artist Repaints his Young Model, 2008

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Four Symbolic Portraits in Bogotá, 2006

Four Symbolic Portraits in Bogotá, 2006

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Three Symbolic Portraits in Bogotá, 2006

Three Symbolic Portraits in Bogotá, 2006

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Portrait of the Artist as a Modern-Day Philosopher, 2005

Portrait of the Artist as a Modern-Day Philosopher, 2005

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Admiration of the Proud and Courageous Bull, 1998

The Admiration of the Proud and Courageous Bull, 1998

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Untitled (based on a madrigal by Carlos Gesauldo de Venerosa), 1967

Untitled (based on a madrigal by Carlos Gesauldo de Venerosa), 1967

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Duppuret (From Marat Sade), 1967

Duppuret (From Marat Sade), 1967

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Reminisce from the Past, 1967

Reminisce from the Past, 1967

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Reconsidered Transfiguration, 1967

Reconsidered Transfiguration, 1967

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Masked Landscape of Him, 1967

The Masked Landscape of Him, 1967

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Genocidal Furnace, 1967

Genocidal Furnace, 1967

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Bowery Death Struggle, 1966

Bowery Death Struggle, 1966

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Assassination of Marat from the Series Based upon Peter Weiss' Marat Sade Play, 1965

The Assassination of Marat from the Series Based upon Peter Weiss' Marat Sade Play, 1965

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

An Old Woman Bearing the Sign of the Cross, 1965

An Old Woman Bearing the Sign of the Cross, 1965

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Greek Butcher Shop, 1965

The Greek Butcher Shop, 1965

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

The Metamorphosis, 1965

The Metamorphosis, 1965

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

 

Testament, 1965

Testament, 1965

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

 

The Bozzo, 1964

The Bozzo, 1964

My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink

Family Death Sequence, 1963

Family Death Sequence, 1963

 My woodblock prints are, for the most part, in black and white. Some are life-size standing figures, others are in different sized formats. Many of them are portraits of individuals from recollections, while others are social situations or historical occurrences about which I wish to make a commentary and expression. 

Woodblock prints on either tableau acaba or mulberry rice paper from Thailand, printed with oil-based ink